Tuesday, February 19, 2019

Hazed and Confused


     My dad is no Matthew McConaughey, and yet I think of my daddy whenever I catch a few minutes of the film “Dazed and Confused.” This movie, which gave birth to the McConaughey “Alright, alright, alright” mantra, begins on the last day of school in May 1976, which was when my daddy graduated from Bodenham High School. Ironically this movie was released in September of 1993, which was when I began my senior year at Giles County High School. The movie begins with a group of seniors plotting their hazing of incoming high school freshmen boys by paddling them, which was very similar to how my high school career began, well, sort of.

In my tiny hometown of Pulaski, Tennessee, on the last day of school the rising seniors would hunt down the incoming freshmen and use electric hair clippers to shave an “F” into their hair. As the end of my eight grade year drew to a close I was terrified of this looming initiation. For years, from the window of bus #102, which I rode to my Big Mamma’s house, I had witnessed  juniors in high school hop out of cars to chase down eighth graders and pin them to the ground, knowing one day it would be my turn to run. I imagine these “rights of passage” sound outright barbaric and borderline criminal to those of my children’s generation. Maybe they were. As the eighties came to a close and the nineties were in bloom, most of those rituals gradually died out, and looking back, I’m glad they did.

As much as I feared being held down by a gang of seniors violently shaving my head, it never happened to me, which oddly enough created a different kind of fear...the fear that I wasn’t important enough to get hazed; that I didn’t even register on the social scale. I was invisible. Perhaps this is why, four years later, I responded so enthusiastically to an invitation to “rush” a fraternity. 

Early in my freshman year at the University of North Alabama, I got an invitation in my mailbox to attend a mixer at a fraternity. I had never considered pledging a fraternity, but I knew that they represented something more. They were status symbols, the in crowd, the cool kids, wealth, influence, power, all things I never felt I had in high school. Now it was being offered to me. They were reaching out to me. They wanted me. At the mixer I felt like they were pursuing me, and I learned that acceptance can be intoxicating. 

I don’t know how they knew me or anything about me (probably one of them worked in the admissions office), but they knew things like my ACT score and that I had gotten a few baseball scholarship offers in high school. The fact that they knew these things about me added to the mystique and it connected with something deep inside me. I felt wanted. The “in crowd” was opening the door and inviting me join them and I ate it up. 

The following weeks were filled with the parties and the perks of Greek life. The fraternity house was like a mansion. It was an enormous three story house with a basement that had a bar, giant screen tv, deafening sound system, along with ping pong and pool tables. The backyard was literally a regulation beach volleyball court with a Corona net. This only child of teenage parents, who grew up in places with names like Chicken Creek and Dog Branch, was accepted by the cool kids. I felt like the underdog character from the John Hughes movies I grew up watching. It was kind of the reverse of high school. In high school you got hazed by the older guys and then they let you in, but here they let you in so that you would let them haze you. You get a taste of what they can give you before you learn the price you have to pay to get it. Fortunately I got out before things got out of control, though I can’t say the same for my roommate and childhood best friend who suffered through many of the indignities of being a pledge before he too decided to call it quits.

Last night I read a story that reminded me just how lucky I was to have avoided, not just the degradation, but the violence often associated with hazing. Seven students at Louisiana State University, all members of the same fraternity, were arrested and charged with battery, false imprisonment, and criminal hazing. These seven are accused of subjecting pledges to cigarette burnings, being kicked, punched, and struck with a metal pipe. Beside the physical abuse were allegations of actions designed to degrade them. Pledges said they were used as human furniture, forced to participate in a “slap game”, doused in gasoline, immersed in ice tanks and sprayed with water, and made to lie face down on broken glass at which point others urinated on them.

Recently there has been much dialogue about “toxic masculinity.” I may not be qualified to define it intellectually, but I know it when I see it, and I’ve seen in on middle school, high school, and college campuses, and in locker rooms my entire life. Any potential “camaraderie” that this type of abasement produces is greatly overshadowed by the psychological, physical, and emotional harm that comes from it. Dishonoring someone who is weaker, more vulnerable, or socially inferior to you doesn’t make you a man, it makes you a bully at least and a criminal at worst.

Where did these rituals designed to dominate, humiliate, produce fear, instill shame and exert power, all in the name of camaraderie, community and belonging, originate? Perhaps they are vestigial rites of passage left over from our more tribal ancestors seeking to “weed out” those who wouldn’t endure the difficult conditions of battle or hold their ground when facing down a bear. You would think these rituals would have no place in a civilized society, and yet some groups still see value in them. Maybe they are still employed in certain sectors of the population to determine who will “stand with their brothers” when there are accusations of sexual abuse or other illegal or unethical activities from outsiders. Perhaps they are designed to “weed out” those who would say “This is not ok” or “I’m reporting this to the authorities.” It’s likely they remain because hose who endure this type of abuse to the end are rewarded with initiation into the group. Having endured it and come through the other side they are now in a position of power and able to exert superiority over someone else, perhaps for the first time in their lives. “You are one of us now”, which typically means you will now be required to perpetuate the cycle. The recipient becomes the administrator. These hazings rituals continue to be perpetuated generation after generation via those who know firsthand the fear and shame it caused. Dignity in the present is traded for superiority, or power, or recognition in the future.

These days I’m far removed from freshman initiations and fraternity hazings, but I can’t seem to escape the scorn of the “us” and “them” mindset and the initiations that usually come with them. We may not shave an F in someone’s hair but we attach a label to them. Democrat or Republican, pro life or pro choice, liberal or conservative, resident or illegal, black or white. Labels serve to mark the boundaries for who is with “us” and who is with “them.” Once we know where those borders are located we can erect walls between us that can only be traversed through the performance of rituals or rites of passage designed to strip up of our identity or our culture or our heritage or our independence and replace them with groupthink and conformity. This is what “we” do, this is what “we” believe, this is where “we” live, this is how “we” vote, this is how “we” speak. Sometimes I’m on the receiving end of these attitudes and requirements, sometimes I simply observe them being perpetuated on others, and sadly, sometimes I’m the one initiating them. Whichever the case, I always suffer from it. Don’t we all? 

These days I’m not afraid of being left out. I’m afraid of making someone else feel excluded, unwanted, or unworthy. In a world of wall building, inclusion can be scary, especially if you’re not used to it. You might even find that people who consider you “one of us” might start viewing you as “one of them” if you open your mind, your heart or your home to others. Maybe you will, maybe you won’t, but it’d be a lot cooler if you did.

Monday, February 4, 2019

Ain’t Dolly and Ain’t Loretta

If I’ve learned anything in my forty-three years it’s that my thought process is as random as a ricochet. I can be trucking along ninety to nothing and then my brain hits something and it sends me shooting off in a totally different direction and I never know where it will stop. It might be something I look at, something I hear, or even just a smell that triggers a memory or a thought and off I go. This morning it was music that rearranged my trajectory for the day, or at least for a moment or two. I’m supposed to be working right now. I have been for three hours and I’ve got at least five more that I need to put in today, but I’ve got an emotional itch I’ve just got to scratch for a few minutes first. 

I decided it was too quiet in this office and I needed a little background sound to keep my head humming so I clicked on my Spotify and hit play. The first thing to pop up was Dolly Parton. The song selections may be the result of an algorithm or artificial intelligence, but the emotions it stirs up are anything but artificial. I didn’t make it to the chorus of “Here You Come Again” before my mind was a million miles away. Maybe not quite a million miles, more like five hundred. I was back home and I was back in time. No particular year, just somewhere between 1975 and 1995, and no particular place, just somewhere around Big Mama’s house or Fall River Road. Maybe ricochet is too strong of a word because I don’t make these journeys in a rocket ship. I usually drift back slowly on a river of tears. Tears that spring from my head and my heart, a mixture of sadness and gratitude, regrets and joy. Truth is, those songs just turned the spigot, but the well was primed yesterday while I was preaching about Big Mama. I find myself compelled to do that more and more. I haven’t sat and talked with her in years, but she can still bring out the best in me just by talking about her. She obviously possessed a special kind of magic to be able to do that from beyond the grave. 

Regardless of the origin of this emotional odyssey, by the time Dolly got to singing about kids with June bugs on a string in “My Tennessee Mountain Home” I was practically drowning in salt water. And so here I sit, not writing a tear stained letter, but a saline soaked blog post. 

Occasionally I’ll surprise an “old timer” with my knowledge and love of old country music. They figure a man my age doesn’t go further back than Alan Jackson, or Garth and George Strait, so when I bring up Ferlin Husky and Jerry Reed, or Patsy Cline their face tends to light up. Without fail the next question is, “How did you come to like all that music from before your time.” Secretly, I’m always glad they ask. The simple fact is that a lot of that old country music and several of those artists remind me of my family.

Whenever I hear Dolly Parton I think of my aunt Brenda. They don’t necessarily look or sound alike, but they both have an infectious laugh and personality that just put you in a good mood. As far as I’m concerned Loretta Lynn is just a black headed version of my aunt (momma) Dot. Both of them are pint sized dynamite and you never know what they’re going to say. I can’t hear a George Jones song without thinking of my uncle Lloyd. They look absolutely nothing alike, but I think it’s something about the way they wore their hair back in the 70’s. I know he doesn’t qualify as “old country” but still, Zac Brown is the spitting image of my uncle Dale when he was in his thirties. Speaking of my Uncle Dale, his wife Linda and Crystal Gale could have been sisters in the early eighties. Uncle Miles doesn’t remind me of anyone in particular but he definitely looked like a rock star. 

These bizarre correlations aren’t always connected to musicians. My uncle Ricky still reminds me of Robin Williams and can make me laugh just as much. He was always “on” and when I was a kid he seemed to have an endless stream of jokes, voices and impressions. It probably had something to do with being the baby of nearly a dozen kids and having to find a way not to get lost in the crowd. My cousins Kevin and Kendal always pop in my head when I see the Dukes of Hazard because they too were brown and blonde headed brothers, and we used to watch the Duke boys together when we were at Big Mama’s house. My cousin Felecia is the real life Ella May Clampett because I never saw her without some kind of animal, and usually a “wild” one like a coon or a deer.

Not every family member reminds me of some country music singer or actor or character, and for the ones that do it’s not easy to explain why they do. It may be something different with each one, but it’s usually a blend of several things. Appearance, personality, hairstyle, voice. I imagine some of it is just associated with what music was playing in their homes when I was a kid or maybe stories that overlap with the lyrics of certain songs. I can’t explain it anymore than I can explain how a music app randomly playing songs always seems to know exactly what kind of musical mood I’m in. All I know is that my memories of my family back home are inseparably intertwined with classic country music.

This may not make any sense to any one but me and that’s ok. For whatever reason, this music makes me think of my family and more than that it makes me feel close to them when I can’t be. To quote the old country singer Bobby Bare, “I’m 500 miles away from home” and that means I don’t get to physically be with my family very often. It’s rare that I’m in town for family reunions, Christmas gatherings, and funerals, so Loretta and Dolly and Conway are the best I can do most days.

It may be silly and I may be the only one who thinks this way, but I just needed to follow this stray bullet from my mind wherever it went. Thanks for taking the journey with me. Now if you will excuse me, it’s back to the future. I’ve got work to do and I’ve got to mop up all this water.
(My Uncle Dale/Zac Brown in first picture, and my Aunt Linda, Uncle Loyd, and Aunt Dot in the background of the bottom pic).